Bryan Adams may have nabbed his first Grammy nomination in over two decades, but he won’t be at the ceremony. He’s got a gig that night.
The Canadian rock star had committed to a concert in Las Vegas on Sunday and he didn’t want to disappoint his fans or his crew by cancelling.
“Work is work. I mean, I’ve got 40 people in my tour, so I want to make sure I keep them in hot food and shoes, you know?” he said earlier this week.
Working hard is a theme for Adams, who last year released four albums — his 15th studio effort, “So Happy It Hurts,” the cast album for “Pretty Woman: The Musical” and “Classic” and “Classic Pt. II,” which saw him re-record songs from his catalogue and handle most of the instruments.
On Sunday, he’s up in the category of best rock performance for “So Happy It Hurts,” the title track, which includes the lyric “I’m so happy it hurts/I’m so glad, it’s outrageous.” His last nomination came in 1998 with the song “I Finally Found Someone.”
“I’m absolutely gobsmacked to be nominated, especially after such a long time. But, I mean, I’m really appreciative. I don’t think I’m going to win it, but I’m happy to be nominated,” he said.
To win, Adams must beat Beck and his cover of Neil Young’s “Old Man”; “Patient Number 9” by Ozzy Osbourne featuring Jeff Beck; The Black Keys’ “Wild Child;” Brandi Carlile’s “Broken Horses”; Idles’ “Crawl!” and Turnstile’s “Holiday.” Adams suspects “Patient Number 9” will win to honour Jeff Beck, who died earlier this year.
If Adams does win, the trophy will join the Grammy he won in 1992 for best song written for a motion picture for “(Everything I Do) I Do It for You,” which was used on the “Robin Hood: Prince of Thieves” soundtrack.
This is a remarkably rich period for the 63-year-old singer-songwriter. He says ideas were coming all the time as he crafted “So Happy It Hurts” and he recorded more songs than usual. Faced with the pandemic, he ended up playing most of the instruments by himself.
“I’m not a particularly good drummer, but I sure love giving it every everything I have to try and make it great,” he says, laughing.
The album is filled with gratitude and mature love, with optimistic titles like “You Lift Me Up,” “I’ve Been Looking for You” and “Let’s Do This.” On the song “These Are the Moments That Make Up My Life,” he sings “I like to make the kids breakfast/I like the family way/I like the sound of their laughter/While I plan out my day.”
“I think one of the things as a songwriter which we should actually tap into is our truth,” he says. “If you can start writing songs that really are about your truth and being able to really open up in a way that you can relate it to your life without giving too much away, I think people will connect with it.”
He also dug up his old amps, guitars and equipment and began re-recording all his hits, like “Summer of ’69,” “Run to You” and “Everything I Do (I Do It for You).” He did it after Universal Music Group refused to return his original masters and drew inspiration from Taylor Swift, who has begun re-recording her catalogue, too.
“It brought back a lot of memories. It brought back memories of, first of all, where I was, who I was recording with, the amount of work that went into making those records and sort of the appreciation generally of what I was doing back then,” he said.
“There’s sort of minor alterations to things, but generally I stay true to the original recordings because I felt that’s what people would recognize,” he added. “Unless it was a live recording, it needed to have the same structure and emotion.”
This year will find Adams in familiar territory — working. After a spring tour of Asia, he hits 26 cities across the U.S. this summer, kicking off in Baltimore in June with stops in New York City, Boston, Denver, Phoenix, San Francisco and more. Joan Jett is opening.
He also plans a “Classic Pt. III” and has recorded three of his early albums live at the Royal Albert Hall in London that he hopes to release — “Cuts Like a Knife,” “Into the Fire” and “Waking Up the Neighbors.”
“It’s super exciting,” he says, and then has to go. After all, he has a gig on late-night TV to prepare for.